Okt. Eric Sell (35), der Sänger von EES & the Yes-Ja! Band, war schon lange vor seiner Teilnahme bei X Factor ein erfolgreicher Musiker. Videos; Das Finale; X Factor Der Gewinner; Hol dir die Songs der Finalisten; Die Kandidaten - Ausgeschieden; Bildergalerie; Die Jury; Die Moderatoren. Seiten in der Kategorie „Sieger von The X Factor“. Folgende 5 Seiten sind in dieser Kategorie, von 5 insgesamt. A. Melanie Amaro. B. Hans Bollandsås. M.
gewinner x factor -Er beatboxt und setzt sich dann für einen gefühlvollen Song ans Klavier. Oh Mother von Christina Aguilera. Ich liebe den Song und bin echt stolz darauf. Someone Like You von Adele. I Wish von Stevie Wonder. Wo befindet sich meine Kundennummer? Wir haben es mit "X Factor" in die unterschiedlichsten Medien geschafft, vor allem in die regionalen Zeitungen, und haben gleichzeitig Zielgruppen angesprochen, die wir sonst nur schwer erreichen. Unter den vier Kandidaten der beiden letzten Liveshows wählten nur noch die Fernsehzuschauer. Navigation Hauptseite Themenportale Zufälliger Artikel. Taiwan stimmt im November über Stopp der Ehe-Öffnung ab Die direkte Demokratie soll kommenden Monat darüber entscheiden, ob das von den Höchstrichtern für verfassungswidrig befundene Ehe-Verbot für Schwule und Lesben doch bestehen bleibt.
X Factor Gewinner VideoX Factor Gewinner 2011: David Pfeffer - I'm here - X Factor Winner 2011 Germany Deutschland
X factor gewinner -Purple Rain von Prince. I Like von Keri Hilson. Der raketenhafte Aufstieg barg allerdings Abgründe: Wo befindet sich meine Kundennummer? Darüber werden wir jetzt auch zusammen mit unserem Partner UFA diskutieren. Da alle Bandmitglieder Profimusiker sind, ist es für sie schwierig, einen solchen Plattenvertrag zu unterschreiben. Song 2 von Blur.
In series 11, each judge chose a wildcard for another judge; this could be any act who was given a chair at any point in the six-chair challenge. In all series, apart from series 12, the show's producers decided which judge mentored which category.
In the 12th series, the public chose which judge mentored which category via a Twitter vote. Alongside the more serious acts who are contesting to win the competition or gain enough exposure to secure a future recording contract, The X Factor usually has at least one "novelty act" or "joke act" in the live shows.
For series 9 of the X Factor , judge Gary Barlow reportedly had an issue with the Overs category, which he had been chosen to mentor. While mentoring what Barlow called the 'joke category', he showed strong support for self-confessed "pantomime villain" Christopher Maloney right through to the grand final, despite strong criticism from fellow judges Louis Walsh and Tulisa for his cabaret performances.
Writing for The Telegraph , Olly Mann felt that this change was unwelcoming. We love an underdog It was a vital part of the format.
In series 10—11, the Bootcamp round was shortened to only several minutes and was broadcast before the start of the Six-Chair Challenge. A round of first auditions is held in front of producers months before the show is aired, either by application and appointment, or at "open" auditions that anyone can attend.
These auditions, held at various venues around the UK, attract very large crowds. The auditions themselves are not televised, but shots of crowds waving and "judges' cars" arriving are filmed and later spliced in with the televised auditions shot later in the year.
The production team supply the crowds with "home-made" signs. A selection of the auditions in front of the judges — usually the best, the worst and the most bizarre described by Louis Walsh as "the good, the bad and the ugly"  — are broadcast over the first few weeks of the show.
In the first five series, each act entered the audition room and delivered a stand-up unaccompanied performance of their chosen song to the judges.
From series 6—9, the judges' auditions were held in front of a live audience and the acts sang over a backing track. If a majority of the judges two in series 1—3, or three from series 4 onwards say "yes" then the act goes through to the next stage, otherwise, they are sent home.
From series 10, the judges' room auditions were brought back; successful acts then later went onto the judges' arena auditions.
Over 50, people auditioned for series 1,  around 75, for series 2  and around , for series 3. The contestants selected at auditions are further refined through a series of performances at "Bootcamp", and then at the "judges' houses" previously "judges' homes" , until a small number eventually progress to the live finals nine in series 1, 12 from series 2 to 6, 16 from series 7—8, 13 in series 9, and back to 12 in series Walsh revealed in October that the houses the contestants visit may not actually belong to the judges, but are sometimes rented for the purpose.
In the early series, this allocation took place after completion of the auditions and prior to Bootcamp, but from series 4, all four judges work together at the Bootcamp stage.
They collectively choose 24 acts six from each category for the next round and only then find out which category they will mentor.
Bootcamp has two stages: Those who pass this stage then must sing again on their own in the next stage in front of the judges.
A live audience was added to the second stage from series 4 onwards one exception in series 5 saw the live audience in the first stage instead, and another in series 7 saw it being axed altogether due to Cole's and Minogue's absences , and the performances at both stages now take place at Wembley Arena from series 7 onwards the first use of the live audience at the arena was in series 8 the only exceptions since then are series 12 at The Grove Hotel in Watford and series 13 at Alexandria Palace.
Usually in both stages, the judges do not give any feedback to the acts after performing, and only deliberate on which acts to send through after all the performances at each stage are finished.
However, in series 5, 9, 10, 12, 13, and 14, the judges give feedback to the acts in the first stage and immediately decide who to send through. They also made the immediate decisions in the second stage in series In series 7, an intermediate stage was used in-between the two stages in which the acts were taught to do a dance routine by the creative director but were not judged on performance.
In series 8 and 9, the judges reviewed the audition tapes of the acts and deliberated on who to send home before their arrival, only revealing their eliminated acts to the contestants just before the first stage.
In series 13, the second stage of Bootcamp was cut down and the judges made the decisions on who to send through to the next stage of the competition.
Bootcamp was cut entirely in series 15 due to timing constraints and instead the judges reviewed the audition tapes and decided who to send through to the next stage of the competition.
In series 4, 6, 8, 11, 12, 13, 14 and 15, the judges found out which category they would be mentoring at the same time that the contestants found out their mentor, but in series 5, 7 and 9 the contestants did not know who their mentor was until they revealed themselves at the house or at Bootcamp in series The judges then disband for the "judges' houses" round, where they reduce their six acts to three for the live shows.
Occasionally between the first and second stages of Bootcamp or prior to judges' houses, judges may look at certain rejected solo artists who they feel have potential but may be better suited in a group, and in an attempt to give them a lifeline, then send these acts into a room to form a number of different groups, each depending on size, height, fashion and chemistry.
Lineup changes may also sometimes occur depending on what the judges feel the group is missing or which members they think work well with others.
In series 10, the format to Bootcamp was changed: From Series 11 onwards, the judges do not know their categories before the Bootcamp, so they have to make the decisions together.
After the Bootcamp round, the mentor challenges their contestants through the Six-Chair Challenge. Judges make decisions on who to put through to judges' houses straight after each act has performed, with those getting a yes taking a chair in the final six chairs on stage.
It is up to the mentor to decide, which act they want to take to judges' houses, but once all six spots are full, if the mentor wants to send another act through to the next stage it means they have to replace one of those who were previously given a yes.
This format was very poorly rated by many members of the British public. In series 12, all of Bootcamp aired on-screen. Series 15 introduced a new feature with a golden X in front of the judging panel.
Similar to the Golden Buzzer on Britain's Got Talent , the mentor can press the button once for one of their acts currently performing whom they feel has the most potential.
When this is pressed, the act in question is guaranteed a 'Safe Seat', immunizing them from being swapped out for other acts, and will go straight through to Judges' Houses.
For series 12, the judges' houses round was given a new tweak: Judges' houses returned to its previous format in being entirely pre-recorded at the locations for series The selected finalists either 9, 12, 13 or 16 acts move into shared accommodation to take part in the show.
The house accommodates both contestants and TV production staff  and footage from the house is often used in spin-off show The Xtra Factor.
In the house, in West Heath Avenue, Golders Green ,  received significant press coverage when it was mobbed by fans, leading to the police being called.
The finals consist of a series of two live shows, the first featuring the contestants' performances and the second revealing the results of the public voting, culminating in one or more acts being eliminated.
Celebrity guest performers also feature regularly. These live shows were filmed at Fountain Studios in Wembley , London from series 1 to In series 1—5, both live shows were broadcast on Saturday nights.
In series 6, the results show moved to Sunday nights. In series 1, nine acts were put through to the live shows, increased to 12 in series 2.
In series 7, following the addition of four wildcards, it increased to Then in series 9, it reduced back to three each, but one wildcard was added, meaning there were 13 finalists.
Series 10 reverted to 12 finalists. Series 11 initially did the same, but the addition of four wildcards in the live shows brought it back up to 16 finalists; but with the wildcards chosen by a different judge instead of their category's mentor.
Series 12 used the same format as series 9, in which each category had three acts before one wildcard was added. For series 13, it returned to just 12 finalists, with no wildcard twist like in series 10 , although wildcard acts in each category were selected prior to judges' houses, each judge picking for another judge's category.
Series 14 also used the wildcard premise as series 7 and 11, but added a twist in which the public voted for one act in each category to progress to the live shows.
Series 15 returned to the judges picking four acts each with no wildcards. The show is primarily concerned with identifying a potential pop star or star group, and singing talent, appearance, personality, stage presence and dance routines are all important elements of the contestants' performances.
In the initial live shows, each act performs once in the first show in front of a studio audience and the judges, usually singing over a pre-recorded backing track.
Dancers are also commonly featured. Acts occasionally accompany themselves on guitar or piano. In the first two series, acts usually chose a cover of a pop standard or contemporary hit.
From the third series, each live show has had a different theme; each contestant's song is chosen according to the theme. A celebrity guest connected to the theme is often invited onto the show, and clips are shown of the guest conversing with the contestants at rehearsal.
For series 13, a jukebox theme selection was introduced; at the end of each results show, a jukebox is utilised and then spun around to find out the next week's theme from a selection of assorted themes.
After each act has performed, the judges comment on their performance. Heated disagreements, usually involving judges defending their contestants against criticism, are a regular feature of the show.
Once all the acts have appeared, the phone lines open and the viewing public vote on which act they want to keep. Once the number of contestants has been reduced to four series 1 and 3 , five series 2, 4, 5, 6, 8, 9, 10 and 11 or seven series 7 , the format changes.
Each act performs twice in the first show, with the public vote opening after the first performance. This continues until only two series 1 and 3 , three series 2, 4, 5, 6, 8, 9, 10 and 11 or four series 7 acts remain.
These acts go on to appear in the grand final which decides the overall winner by public vote. In past series some of the more memorable failed auditionees from the early rounds have also returned for a special appearance in the final.
From its inception up to series 7, the final took place in the same studio as the live shows. However, from series 8 onwards, due to the success of the arena auditions, the final now takes place at Wembley Arena , accommodating a larger stage and a much larger audience in series 9, however, the final took place at Manchester Central as Wembley Arena was unavailable.
Series 6 saw a change to the live show format: Series 9 completely changed the voting format. Lines now open for viewers to vote at the start of each show, and then close during the results show.
For series 14, the format of the live shows was revised significantly: The contestants with the highest votes for that night is also announced and the two acts who won their respective public votes will then sing against each other in a new element of the show called the prize fight.
The winner of the prize fight will win a special weekly prize. The voting window was also shortened, viewers only have a few minutes to vote for their favourite acts after all the contestants on the night have performed.
Before the results are announced, there are live or pre-recorded performances from one or more invited celebrities, often with performers connected to the week's theme.
From series 6 onwards, the results show begins with a group performance from the remaining contestants. However, the song is pre-recorded and the contestants mime, due to problems with the number of microphones.
Both these acts perform again in a "final showdown", and the judges vote on which of the two to send home. In the first four series the bottom two contestants reprised their earlier song, but from series 5 they were able to pick new songs.
In series 3, a twist occurred where the act with the fewest votes was automatically eliminated, and the two with the next fewest votes performed in the "final showdown" as normal.
Double eliminations have since occurred occasionally in series 7, 8, 11, 12 and 14 onwards, with series 12, 14 and 15 using them more frequently than usual due to the reduction of live shows from 10 weeks to 7 weeks.
Ties became possible with the introduction of a fourth judge in series 4. In the event of a tie the result goes to deadlock, and the act who came last in the public vote is sent home.
The actual number of votes cast for each act is not revealed, nor even the order; according to a spokesman, "We would never reveal the voting figures during the competition as it could give contestants an unfair advantage and spoil the competition for viewers".
Once the number of contestants has been reduced to four series 1, 3, 7, 8 and 9 or five series 2, 4, 5 and 6 , the act which polled the fewest votes is automatically eliminated from the competition the judges do not have a vote; their only role is to comment on the performances.
From series 10 onwards, the semi-final proceeds with the bottom two in the final showdown for the judges to decide who to send home before the final.
Three occasions in series 7, 10 and 13 during the semi-final saw the judges instead vote to send one of the bottom two through to the final.
In series 1, the eliminated acts also reprised one of their songs in the results show after being voted off. This has become less common in other series, instead being relegated to results shows with no final showdown.
In series 10, the flash vote was introduced: Despite the flash vote eliminating all possibilities of deadlock, it quickly drew criticism from viewers and was quickly dropped after several weeks.
However, another variation of the flash vote has debuted in series 11 twice as part of a double elimination. In this variation, the act who polled the fewest votes on Saturday's show is automatically eliminated.
The two acts with the next fewest votes on Sunday then perform in the final showdown. This double elimination variation was used once again in series A lifeline vote was introduced within the first half of the series 13 live shows, where the bottom three contestants are announced.
Viewers are then given a few minutes to vote to save one of the bottom three, with the winner of the lifeline vote avoiding the final showdown.
As of series 14, the contestants are split into two halves competing on Saturday and Sunday night, respectively, therefore each week is a double elimination.
As the results are announced, the contestant who had the lowest viewer votes on each night is announced and leaves the show immediately; the winning contestant is announced thereafter.
The quarter-final during this series served as the show's first quadruple public vote elimination: The two winning contestants of both Saturday and Sunday night then compete in a sing-off to win their weekly prize.
Once they have performed their sing-off songs, the lines then reopen and the public votes on which contestant to win the weekly prize.
The semi-final dispensed with the prize fight format in a triple elimination; on Saturday night, all the acts instead sing one song each to remain in the competition before the lines open briefly, then the act with the lowest votes on the night leaves the competition.
The remaining acts then sing one more song on Sunday night for the public vote to go through to the final, the two acts with the lowest votes on the night are therefore sent home as well.
Following the appointment of singer Minogue as a judge in series 4, the same principle could not universally apply. In fact, when Minogue won series 4 with Leon Jackson , a new outside manager was appointed.
It features an array of finalists and other memorable contestants from the most recent The X Factor series and is hosted by Jeff Brazier.
On 22 June, it was confirmed that Friedman had been reassigned the role of creative director and would be replaced on the panel by Walsh.
Speculation surrounded judging line-up changes for series 5 , centering on whether Osbourne would return. On 6 June , six days before filming for series 5 was due to begin, ITV confirmed that Osbourne had left the show,  and a number of other artists and producers were approached regarding her replacement.
On 10 June, Cheryl Cole was confirmed as Osbourne's replacement. Despite rumours that Minogue would leave the show after series 5,   all four judges from series 5 returned for series 6.
Due to Minogue's maternity leave during series 7, a series of guest judges filled in for her at the audition stages before she rejoined the panel in September.
In July , Cole was diagnosed with malaria towards the end of the auditions, so Scherzinger returned as a guest judge for bootcamp.
On 5 May , it was confirmed that Cowell and Cole would not be returning to the judging panel for series 8 , to concentrate on the American version of the programme.
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